06–09 JULY · GWACHEONUncle Jayden Symphony Hall Studio
92-19 Chusa-ro, Gwacheon-si, Gyeonggi-do, Korea
엉클제이든 심포니홀 스튜디오 · 경기도 과천시 추사로 92-19
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Applications open
6–10 July 2027
Five days of conducting with Professor Yunsung Chang, from piano sessions to orchestral practice and a final concert with Orchestra Lartife.
Applications from 26 October 2026 · Active enrollment closes when full
View official poster · English ↗THE MASTERCLASS
Piano sessions on 6–7 July are followed by orchestral sessions on 8–9 July, then the final rehearsal and concert on 10 July. Each Active participant is guaranteed 120 minutes of podium time. Final-concert rehearsal and performance time are additional and do not count toward these 120 minutes.

PROFESSOR
Professor of Conducting, Seoul National University
Yunsung Chang studied composition at Seoul Arts High School and Seoul National University and completed conducting coursework at its graduate school. While studying at the Vienna music university, he won second prize at the first Prokofiev International Conducting Competition in St Petersburg in 1993, followed by second prize, with no first prize awarded, at the Tokyo International Conducting Competition in 1997. He has held conducting posts with orchestras in Korea and Japan and is Professor of Conducting at Seoul National University.
Yunsung Chang studied composition at Seoul Arts High School and Seoul National University and completed coursework in conducting at the university’s graduate school. While studying at the University of Music and Performing Arts Vienna, he won second prize at the inaugural Prokofiev International Conducting Competition in St Petersburg in 1993 and second prize, with no first prize awarded, at the Tokyo International Conducting Competition in 1997.
He has conducted the St Petersburg Philharmonic, St Petersburg Symphony and Camerata St Petersburg in Russia; Tokyo Symphony, Osaka Philharmonic and Sendai Philharmonic in Japan; Wiener Concert-Verein and Klagenfurt Symphony in Austria; Robert Schumann Philharmonic Chemnitz and Nuremberg Symphony in Germany; Rome Symphony in Italy; Orquesta Clásica Santa Cecilia in Madrid, Spain; MÁV Symphony Orchestra in Hungary; Prague Radio Symphony, Prague Symphony, Brno Symphony and Janáček Philharmonic in the Czech Republic; Kraków Radio Symphony in Poland; Kharkiv Symphony in Ukraine; and Belgrade Symphony in Serbia.
His touring engagements include four German cities with the Nuremberg Symphony, Japan with the KBS Symphony Orchestra, Korea with the Mariinsky Opera Orchestra and Camerata St Petersburg, and Klagenfurt and St Pölten in Austria with the Brno Philharmonic and Janáček Philharmonic. He has conducted ballet performances with Universal Ballet at Sadler’s Wells in London, Lyric Opera of Chicago and Vancouver’s Queen Elizabeth Theatre, as well as Seoul Metropolitan Opera tours to Tokyo and Osaka. His touring repertoire spans symphonic music, ballet and opera.
In 1995, he conducted the European premiere of Penderecki’s Symphony No. 5, “KOREA,” in Kraków. His Korean premieres include Schoenberg’s Gurre-Lieder, Casella’s Symphony No. 2 and Bloch’s Symphony in C-sharp minor. He has also premiered numerous works by Korean composers, maintaining a broad repertoire from the Classical period to modern and contemporary music.
Beginning with Mozart’s L’oca del Cairo at Austria’s Neustudio Bühne, his opera repertoire includes Mozart’s Le nozze di Figaro, Don Giovanni, Così fan tutte and Die Zauberflöte; Rossini’s La cambiale di matrimonio and Il barbiere di Siviglia; Humperdinck’s Hänsel und Gretel; Donizetti’s L’elisir d’amore; Verdi’s Rigoletto, La traviata, La forza del destino and Nabucco; Puccini’s Il trittico, Madama Butterfly, La bohème and Tosca; Bizet’s Carmen; Britten’s A Midsummer Night’s Dream; and Honegger’s Jeanne d’Arc au bûcher.
He has served as Principal Conductor of the Ulsan, Changwon and Daejeon symphony orchestras and the Bucheon Philharmonic Orchestra; Resident Conductor of Japan’s Osaka College Opera House; Principal Guest Conductor of the Seoul Philharmonic Orchestra; and Resident Conductor of the Gunpo Prime Philharmonic Orchestra. He has released recordings on Japan’s Camerata label. He is currently Professor of Conducting in the Department of Composition at Seoul National University’s College of Music.
06–10 JULY 2027
| Date | Session | Time · KST | Venue |
|---|---|---|---|
| 2027.07.06 | Piano masterclass | 09:00 Orientation 09:30–12:30 14:00–17:00 | Uncle Jayden Symphony Hall Studio |
| 2027.07.07 | Piano masterclass | 09:30–12:30 14:00–17:00 | Uncle Jayden Symphony Hall Studio |
| 2027.07.08 | Orchestra masterclass | 09:30–12:30 14:00–17:00 | Uncle Jayden Symphony Hall Studio |
| 2027.07.09 | Orchestra masterclass | 09:30–12:30 14:00–17:00 | Uncle Jayden Symphony Hall Studio |
| 2027.07.10 | Final rehearsal & concert | 10:30–13:00 Rehearsal 14:00 Final concert | Rode Arts Center Concert Hall |
All times are Korea Standard Time (KST, UTC+9). Detailed schedules and individual conducting order may be adjusted.
06–09 JULY · GWACHEON92-19 Chusa-ro, Gwacheon-si, Gyeonggi-do, Korea
엉클제이든 심포니홀 스튜디오 · 경기도 과천시 추사로 92-19
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10 JULY · SEOUL79 Nambusunhwan-ro 317-gil, Seocho-gu, Seoul, Korea
로데아트센터 콘서트홀 · 서울특별시 서초구 남부순환로317길 79
View map ↗MOZART & BEETHOVEN
| Work | Required edition |
|---|---|
| W. A. Mozart — Don Giovanni, K. 527: Overture | Breitkopf & Härtel |
| W. A. Mozart — Symphony No. 35 in D major, K. 385 “Haffner” | Breitkopf & Härtel |
| L. v. Beethoven — Coriolan Overture, Op. 62 | G. Henle Verlag |
| L. v. Beethoven — Symphony No. 2 in D major, Op. 36 | Bärenreiter |
Active participants must prepare all four works. Participants may choose works for coaching during the masterclass. The professor assigns the works and movements for the final concert.
PARTICIPATION
Read the participation conditions below and the Korean guidelines PDF before applying.
| Category | Fee · KRW |
|---|---|
| Early Bird · until 31 December 2026 | KRW 2,800,000 |
| Regular | KRW 3,000,000 |
| Official final-concert video · optional | + KRW 60,000 |
The optional recording includes the complete final concert and your own conducting footage. Pay with the participation fee after acceptance. Personal video recording is not permitted on the final-concert day.
Acceptance does not constitute final registration. Enrollment closes once 10 paid registrations are confirmed, even if other payment deadlines have not passed. Unpaid accepted applicants will be notified and no further payments accepted. Eligibility to register expires if payment is not made by the deadline.
| Cancellation requested | Refund |
|---|---|
| Until 31 March 2027 | 100% |
| 1–30 April 2027 | 70% |
| 1–31 May 2027 | 50% |
| From 1 June 2027 | Non-refundable |
Open to conducting students, musicians interested in conducting and members of the public, from Korea and abroad. Choose individual days or all five days.
| Category | Fee · KRW |
|---|---|
| 1 day | KRW 70,000 |
| 2 days | KRW 140,000 |
| 3 days | KRW 210,000 |
| 4 days | KRW 280,000 |
| All 5 days | KRW 300,000 |
Observe sessions and rehearsals on your selected dates. The 10 July auditor fee includes the final-concert rehearsal and concert admission. General-public concert admission is KRW 30,000.
Online form → select dates → payment instructions by email → payment → registration confirmation
| Cancellation requested | Refund |
|---|---|
| Until 30 June 2027 | 100% |
| 1–3 July 2027 | 70% |
| 4–5 July 2027 | 50% |
| From 6 July 2027 | Non-refundable |
If the organizer cancels the event, Active and Passive participation fees will be refunded in full. The optional video fee is refundable if canceled before the recording is provided.

2027 · SEOUL INTERNATIONAL CONDUCTING MASTERCLASS
Applications from 26 October 2026 · Active enrollment closes when full